Sergei Prokofiev

Ashley Owens Professor Lleweylln Music Appreciation 13 November 2012 Sergei Prokofiev How does symphony fare us feel? not what do we feel when we listen to music to a greater extent all over more specific anyy, what is it about Music that triggers our human emotions? What egress did hearing those sad country stocks on the wireless during my morning drive to rail have on the rest of my day? Why does upbeat hip joint hop music al elans devote me gesture my head with the beat? Why does a song like Go rest last on that mountain by Vince Gill always make me cry?Music is a large vocalism of close to of our everyday lives. Sergei Prokofiev understood that considering the skin perceptivenesss and emotions of the listener was rattling in the production of music, and demonstrates in hawkshaw and the masher how melodic properties tin can persuade us emotionally. The road to Prokofievs growth to being one of the most unique composers of his cartridge clip started in Sontsov ka, Ukraine in the course of instruction 1891. His m otherwise was a pianist and his freshman flabby teacher. Prokofiev began writing piano alternates at age vanadium and by age nine had written his first op while.He studied at the St. nebsburg conservatory starting at ten old age of age from 1904 to 1914. Prokofiev performed as a virtuoso starting in 1910 and began making a living in music. At his graduation chronicle he played his witness first concerto. In 1915 during World War I he smooth Scythian Suite and his first important symphony in 1917 (David Nice). In 1918 Prokofiev moved from Russia to the United States in search for greater artistic perspectives. After flux experiences he moved to Paris in 1922 and last returned home to Russia to be with his family in 1936.One of his first compositions upon move home was diaphysis and the skirt chaser. Written in April of 1936, slam and the Wolf were written as an introduction for children to the orchestra and were narrated by Prokofiev himself at the childrens theatre in Moscow. The apologue consequences place in a meadow dep hold onable young slams house. After observation the creature swallow the outsmart, the young boy devises a plan with attention of the bird, to capture the wolf and take him to the zoo. Each particular character in the explanation is represented by a musical means performed in the piece.The bird is played by the flute, high in pitch and quick in rate. The duck is played by an oboe, slow in tempo and giving him a clumsy feel. The clarinet represents the cat, sneaky and methodical. granddaddy is represented by a bassoon deep in pitch giving him comedic properties. The wolf is played by a French horn which gives off a hominess and dark presence. The hunters are played by the kettledrum and drums mimicking the buy the farm of their guns as they try to shoot the wolf. at long last rooster is played by a concoction of string instruments, Violin, Viola, String B ass, and Cello.Peter and the wolf show us how musical properties can persuade us emotionally. That we young man certain sounds with being happy or obdurate like Peter and the string instruments. While other sounds can be beaud with sadness or vex fear like the wolf and the French horns. It is both(prenominal) the story, the composition of the music, and its ability to attach to parts of the story, that makes Peter and the Wolf so intriguing and prison termless. These qualities also make it fun and enjoyable for multi age groups.The story itself quickly has us intently supporting our mavin Peter as he is visiting animals in the near meadow. It builds a rapport with the core characters making us feel involved in the story, making us care for the bird as he narrowly escapes the clutches of the sly cat, and at the same while casting Peter as the hero in this story. It shows us the d proclaim fall of the duck, when he is swallowed by the wolf, pulling us in on the truly danger there in the meadow. The climax comes when Peter, with help of the bird, capture the wolf and save the meadows animals from harm.True to his role of the hero Peter then stops the hunters from shooting the wolf and insists that he be taken to the zoo. The story seems to turn cover charge on a happy note still leaves several questions unanswered and places for the story to continue. Questions like what happened on the way to the zoo, and would the duck ever escape from the tummy of the wolf. The story is open-ended and allows us to form our own conclusions. The tune of Peter and the Wolf whitethorn be easily recognizable to some, since it is famous for its Disney interpretation and employ regularly in classrooms for teaching.Personally I associate the zeal of orchestra with older cartoons in which a great divide of them were without much dialog and were backed by classical music, as was Looney Tunes Pigs in a polka which contained Brahms Hungarian Dances 5,7,6 and 17. It can be easily argued that Prokofiev is indirectly responsible for all of them, as his Peter and the Wolf were authentically the first of its kind. Over ten years after its original creation, an animated adaption was created by Walt Disney and released on August 15th 1946 introduced as part of its restrain mine Music collection of shorts.Aside from narration by Sterling Holloway the cartoon is true to the original piece in that the characters are represented in sound by their respective musical instruments. The short liveness does a great job of lining up the music with the art really bringing the characters and the music together. provided trying to make the cartoon more child friendly the story is slightly change and added to. During the introduction some of the characters are given names, Sasha the bird, Sonia the duck, and Ivan the cat.At the end of the Disney version we find that the duck was not really eaten by the wolf but instead had hid in a tree trunk and is happily reuni ted with Peter and the other pets once the wolf is captured. Since then Peter and the Wolf has been remade several times in several(a) ways most new-fashionedly in 2008 by Suzie Templeton. Having the music fit into the animations makes it very easy for children of all ages to associate the sounds separately and really enjoy the story. Prokofievs music was sophisticated that almost a one C later we are still using it to teach our children and entertain us all. Prokofiev was one of the great composers of the twentieth century arguably the greatest. I think the object lesson for Prokofievs supreme greatness rests upon the likely present that no other composer of the 20th century enriched the musical repertoire in as umpteen diametrical forms as did Prokofiev, and did so at such a consistently high level of quality and musical beauty (Turlish). Though he is famous for lone(prenominal) very few pieces of his work, the power of those pieces remains to the highest degree unparall eled even to this day. Many artist recognize Prokofiev for artistic inspiration in their creations.Unfortunately Sergei Prokofiev was in umpteen ways a man out of time. He was product of 19th century music that had his own way of writing and composing. For many who lived in the era this made him misunderstood and not taken hard as a composer. In a recent interview, Barbara Nissman said, he was such a natural talent, he followed his nose. Nobody ever dictated to him how to write and he wasnt a member of any school of thought or academic theory. His music went where he thought it was supposed to go. You couldnt devote him in a box. Some people thought he was conservative but others thought he was way too out there.I think his unique access code to the instrument his sense of originality frightened a crew of people, especially the critics who had no idea which box to put him in. Music, even if forgotten or put into the back of our subconscious for a long period of time can oft en trigger a keeping or a feeling we had the first time we had heard it. Maybe an important time in our lives that we lived out while the radio was playing, we may or may not have even cognise it was there. However at any point we may stumble across that song on the radio, postponement in line at the bus station, or shopping at the local grocery store.For until now brief a moment it allows us or forces us depending on how you look at it, to go back in time a warehousing and recall it with enhanced clarity. Sergei Prokofiev realized these things and implemented this epiphany into his music, which to me seems more than obvious in the classic piece Peter and the Wolf. For years to come both children and adults may associate the hominess sound of the French horn with the frightening wolf, they may hear a flute and be over taken by their first memory of reflexion the classical Disney short, where they were, or who they were with.Through concentrated listening we can learn to separa te musical properties of any piece. However attaching those pieces to a character or a feeling is something that Sergei did way before his time. Prokofiev has touched so many lives, and through his music changed the landscape of how we all recognize it. Works Cited Turlish, Bruce. Kith. Org. Web. 18 Oct. 2012. Nice, David. Prokofiev From Russia to the West, 1891-1935. Columbus. MT. Yale University Press Publication. 18 Oct. 2012. impress Nissman, Barbara. Adventures. In. Music. Biz. Web. 18 Oct. 2012